PsychBytes

A publication of the Washington Baltimore Center for Psychoanalysis

Share This Post

Repetition Compulsion: America’s Gun Ritual

Kerry Malawista, PhD
Member, Washington Baltimore Center for Psychoanalysis
November 2025 | Volume 9 | Issue 4

In a quiet Minneapolis church, children bowed their heads in prayer. By the time they lifted them, two were dead and seventeen wounded. Annunciation Catholic Church joins America’s grim roll call of mass shootings—a list so long it numbs more than it shocks. This was the 286th in 2025 alone.

In therapy, we know the human impulse to make sense of trauma. After every shooting, the nation does the same: combing the killer’s history, parsing social media, speculating about paranoia, trauma, or hatred. We hope that if we name the wound we can stop the next one.

It’s an illusion.

There is no psychological formula precise enough to identify a future shooter. Human behavior is too messy, too contradictory. Some acts are pure eruption. Families burying children today will not find solace in talk of the shooter’s depression or grievances.

What we can analyze is ourselves. While motives remain unknowable, our paralysis is plain. We allow inertia to stand in for policy, ritual outrage to replace reform. Each massacre deepens our collective numbness. We watch, offer thoughts and prayers, mourn briefly, then turn away—because avoidance feels easier than facing the unbearable. Avoidance never heals–whether in the consulting room or the country at large.

Most Americans—polls show nearly six in ten—want stronger gun laws. Yet access keeps expanding. The painful truth is that every state will one day have its own Annunciation, its own funerals. In treatment, progress begins only when we stop circling and face the obvious. America keeps circling. The question is not why one man pulled the trigger but why we, collectively, keep putting the gun in his hand.

Explore more in PsychBytes

Shortcut

I live in the city and often walk to my preferred destinations. Sometimes my walks include shortcuts when going to familiar places. One common shortcut was an alley which contained rats.

While the rats were disturbing and seemingly everywhere, I continued using my shortcut.  At some point an intervention occurred – poison.  I began to experience the mixed blessing of dying rats instead of living rats.  While I hesitated to look at the dead and decaying rats, they were in my path and I couldn’t ignore them.  In time, the living rats disappeared. But at the end of my alley shortcut, “my inner rats” remained alive in the office of my psychoanalyst.

“Pagan” or Sublime?

When the curtain rises on Brian Friel’s renowned play, “Dancing at Lughnasa,” Michael, a pleasant young man, addresses the audience as though he’s lying on an analyst’s couch: “When I cast my mind back to that summer of 1936, different kinds of memories offer themselves to me.” He was only seven, but the memories still make him “uneasy;” it was a time of “things changing too quickly.” These memories unfold for us on the stage.

Content Edit Request

Content Edit Request

Please submit one request at a time.