PsychBytes

A publication of the Washington Baltimore Center for Psychoanalysis

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Learning from Infant Observation

Sharon Alperovitz, MSW
Member, Washington Center for Psychoanalysis
February 2016 | Volume 3 | Issue 2

Having the courage and, perhaps, confidence to say what we see in front of our eyes and then to be curious about it may sound simple, but it is not. Observing and wondering, in an emotionally available way, about the anxieties so common in the daily experience of a mother and her newborn baby helps us understand the early anxieties underlying adult experience.

Here is an ordinary moment from my observing experience with mother and eleven week old baby, Andy:

Mother asked Andy: “Are you showing Sharon how you found your finger?” As she said this, Andy began to cry. Leaning closer to him, she inquired: “Is that finger soapy from your sponge bath?” He sucked a bit and then started to cry again. “Is that the finger where I cut the nail too short? Is it hurting you? Oh, I’m sorry,” she said apologetically.

I watched with interest and admiration this ordinary situation of a mother working hard to understand her baby’s momentary distress. Observing ordinary mothering – nothing fancy – just everyday maternal functioning reminds us that the important focus is on the immediate moment and the important attribute is the determination to keep trying to understand.

Psychoanalytic therapy and infant observation allow us to more deeply appreciate that good moments and bad moments are what life is made of and to recognize the importance of paying attention to the non-verbal back and forth in all relationships.

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On Leaving and Holding

One aspect of Joachim Trier’s 2026, Academy Award-nominated film, Sentimental Value, lingers: the idea that a house can hold memory, and in doing so, remind people of who they are and who they have been. The family home in the film becomes a kind of unconscious structure, a repository for grief, history, and the versions of themselves they could not keep.

I have never had that kind of house.

I have moved every two to four years for as long as I can remember. My life can be mapped through new cupboards and unfamiliar ceilings. I learned early how to fold myself into spaces never meant to hold me for long. Even now, some part of me is already preparing an exit.

WHY MAKE MIRROR ART IN WAR-TORN TEHRAN?

Why does Aref Montazeri, an Iranian sculptor whose art sells for over a million dollars, continue to make his towering works from shards of mirror glass in his studio in Tehran, amid window-shattering bomb blasts? He gently wraps his creations in shock-absorbing material, but why continue with such a fragile medium? In a Wall Street Journal article by Kelly Crow (May 2-3, 2026), he says, “Nothing, not even war, should prevent us from pursuing what we aim for.”

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