PsychBytes

A publication of the Washington Baltimore Center for Psychoanalysis

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The House/Body Connection

Tarpley Long, LCSW-C
Member, Washington Baltimore Center for Psychoanalysis
July 2021 | Volume 8 | Issue 1

Have you ever thought about how many common expressions refer to both the human body and buildings? A stately home; an imposing person; a sturdy lad; the house has good bones. How’re you holding up? Still standing! Conversely: a deteriorating medical condition; emotional fragility; she does not feel a home in her body; a nervous breakdown.

The pancaking of a 12-story condo in Surfside, Florida, came shortly after the foundation for an addition to my 1930s cottage was completed. It took 10 weeks to prepare the ground to support this new two story, 660 square foot structure. Why did it take so long?

Watching the first two and a half months of construction awakened memories of my daughters’ first two and a half months of life when parenting was 24/7. Similarly, workers were here every day, measuring, digging, remeasuring, digging some more. The cottage is sited on top of underground springs that trickle down to the Patapsco River; underground water had to be redirected. For several weeks, men did nothing but move piles of dirt around, checking throughout the day to see that the slope remained correct and drains were removing all the underground water away from the footings. At the end of the day, the foreman would call out, “time to put it to bed,” or “button her up.” The foundation caretakers were a cheerful lot, laying cinder block, inserting rebar into concrete, and smoothing the slab as they sang along to a radio playing upbeat music.

We know from studying human development how important the early months of touching and talking to an infant are in establishing a secure base to weather the storms of life. The last day the workers swaddled the slab with a cushiony substance to protect it during the framing. As his hands fluttered skyward, the foreman said, “Tomorrow, it will start to grow up. Big and strong.”

Tarpley Long, LCSW-C

Member, Washington Baltimore Center for Psychoanalysis

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On Leaving and Holding

One aspect of Joachim Trier’s 2026, Academy Award-nominated film, Sentimental Value, lingers: the idea that a house can hold memory, and in doing so, remind people of who they are and who they have been. The family home in the film becomes a kind of unconscious structure, a repository for grief, history, and the versions of themselves they could not keep.

I have never had that kind of house.

I have moved every two to four years for as long as I can remember. My life can be mapped through new cupboards and unfamiliar ceilings. I learned early how to fold myself into spaces never meant to hold me for long. Even now, some part of me is already preparing an exit.

WHY MAKE MIRROR ART IN WAR-TORN TEHRAN?

Why does Aref Montazeri, an Iranian sculptor whose art sells for over a million dollars, continue to make his towering works from shards of mirror glass in his studio in Tehran, amid window-shattering bomb blasts? He gently wraps his creations in shock-absorbing material, but why continue with such a fragile medium? In a Wall Street Journal article by Kelly Crow (May 2-3, 2026), he says, “Nothing, not even war, should prevent us from pursuing what we aim for.”

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