PsychBytes

A publication of the Washington Baltimore Center for Psychoanalysis

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My Late Life Crisis

John G. Wykle, MSW
New Directions, Washington Baltimore Center for Psychoanalysis
July 2022 | Volume 8 | Issue 8

Two months ago, I jumped out of an airplane at 10,000 feet. It was thrilling. I flew through the air like a bird, experiencing feelings I had never had … manifestations of a new me.

The psychoanalyst, Erick Erickson, introduced the concept of identity crisis in the nineteen fifties as he developed his theories of human psychosocial development. In his paper, “Youth Identity and Crisis,” he defined an identity crisis as, “a time of intensive analysis and exploration of different ways of looking at oneself.”

My crisis started a couple of years ago. I met a man at the gym, attracted by his masculine charisma. As it turned out he opened my heart to spirituality. My spiritual history had been mostly a head thing, which he astutely observed. Through some kind of spiritual and emotional transfer of his strong faith my heart was opened. I became a believer, a believer in life. I began a new journey. I began to experience the freedom and joy of universal connection. I became compelled to share this joy.

I began volunteer work for the homeless. I joined a meetup group called “Enjoy Your Life.” I joined a men’s group which promotes integrity in men. I bought a Miata Mx5 convertible. I go bowling with folks thirty and forty years younger than me. I started hiking the Blue Ridge Mountains with strangers and discovered I can spread my joy by accepting differences.

Since Erickson’s time we have come to embrace the idea of a mid-life crisis in our middle years. As our lives are being extended well beyond the usual norms of mid-life, older folks may now be experiencing a late-life crisis.

It was my eightieth birthday as I jumped from that plane.

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On Leaving and Holding

One aspect of Joachim Trier’s 2026, Academy Award-nominated film, Sentimental Value, lingers: the idea that a house can hold memory, and in doing so, remind people of who they are and who they have been. The family home in the film becomes a kind of unconscious structure, a repository for grief, history, and the versions of themselves they could not keep.

I have never had that kind of house.

I have moved every two to four years for as long as I can remember. My life can be mapped through new cupboards and unfamiliar ceilings. I learned early how to fold myself into spaces never meant to hold me for long. Even now, some part of me is already preparing an exit.

WHY MAKE MIRROR ART IN WAR-TORN TEHRAN?

Why does Aref Montazeri, an Iranian sculptor whose art sells for over a million dollars, continue to make his towering works from shards of mirror glass in his studio in Tehran, amid window-shattering bomb blasts? He gently wraps his creations in shock-absorbing material, but why continue with such a fragile medium? In a Wall Street Journal article by Kelly Crow (May 2-3, 2026), he says, “Nothing, not even war, should prevent us from pursuing what we aim for.”

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