PsychBytes

A publication of the Washington Baltimore Center for Psychoanalysis

Salvador Dali, Apparition of Face and Fruit Dish on a Beach, 1938 Wadsworth Atheneum Museum of Art, Hartford, CT

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Protected: The Eloquence of Silent Dreams

J. David Miller, MD
Member, Washington Baltimore Center for Psychoanalysis
September 2026 | Volume 10 | Issue 1

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On Leaving and Holding

One aspect of Joachim Trier’s 2026, Academy Award-nominated film, Sentimental Value, lingers: the idea that a house can hold memory, and in doing so, remind people of who they are and who they have been. The family home in the film becomes a kind of unconscious structure, a repository for grief, history, and the versions of themselves they could not keep.

I have never had that kind of house.

I have moved every two to four years for as long as I can remember. My life can be mapped through new cupboards and unfamiliar ceilings. I learned early how to fold myself into spaces never meant to hold me for long. Even now, some part of me is already preparing an exit.

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